Download Ebook Typeset in the Future: Typography and Design in Science Fiction Movies, by Dave Addey
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Typeset in the Future: Typography and Design in Science Fiction Movies, by Dave Addey
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About the Author
Dave Addey is the creator of the website Typeset in the Future, a detailed, geeky, and humorous study of the design and typography of classic science fiction movies. He is a designer, writer, and software developer based in Santa Cruz, California. Matt Zoller Seitz is the editor-in-chief of RogerEbert.com, the TV critic for New York Magazine, the author of The Wes Anderson Collection, The Wes Anderson Collection: The Grand Budapest Hotel, The Oliver Stone Experience, and Mad Men Carousel, and the coauthor of TV (The Book). He is based in New York City.
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Product details
Hardcover: 264 pages
Publisher: Harry N. Abrams (December 11, 2018)
Language: English
ISBN-10: 1419727141
ISBN-13: 978-1419727146
Product Dimensions:
9.8 x 1 x 11.6 inches
Shipping Weight: 2.8 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#47,636 in Books (See Top 100 in Books)
If you've read and enjoyed the blog this book started from, know that you'll be happy with the published result. If you haven't read it - what are you waiting for!? This book has the same great attention to detail, insider knowlege and personable voice found in the original work. An enjoyble read for SF fans, film geeks, and design nerds alike. Interviews, great stills from the films being discussed, and wide-ranging examples make this a delight to read through, or to enjoy in small sittings.My only quibble is with the publishing. I bought (and returned) this book twice before I got an uncompromised binding. One had a wrinkle across the entire cover, one had the interior pages separating from the cover before I even opened the book. This, however, is not a knock on the quality of work contained within. I just wish the physical object could live up to the contents. Returns were painless, blah de blah blah.Regardless, a great read for anyone interested in the intersection of film, speculative fiction, and design
This is a must-have for any design/type nerd with a penchant for sci-fi and modern/futuristic interfaces. I discovered The authorthrough his wonderful blog, and after reading his amazing articles on '2001: A Space Odyssey' and 'Wall•E' I was delighted to discover that he had a book. Do yourself a favor and check out his blog and bathe in the design geekery. Surely you will discover that you need to own this book!
This book is amazing! Ideal for sci-fi, design and typography nerds. It’s not only informative with a an incredible mind-boggingly level of research behind it, it’s also simply a beautiful piece of design in itself. It’s rare that you find a coffee-table book that you can’t put down, but this is on of those rare gems. I hope the author will make more of these in the future!
The book is beautifully designed, utterly fascinating, and a perfect gift for anyone obsessed with fonts, movies, or both.I got the Kindle version but then immediately ordered the hardcover because that’s the way this book deserves to be consumed - in print.
You know that feeling when a product comes out and it's as if it was made just for you? That was my reaction when this book was released. I was already a fan of the author's blog but this sort of deep-dive analysis is right up my alley! Seven films are featured and if you ever wanted to know about the USS Enterprise's hull markings, or Dr. Floyd's floating pen in 2001, or the history of the ubiquitous Eurostile typeface, it's all here!
This book is a perfect in-depth look at the type, design, and aesthetic set by and used in successive seminal science-fiction movies. I'm flabbergasted by how well written and designed the book is, and with such good humor and attention to detail it dives into picayune details that a designer like me loves.
Most movie-goers probably don't realise how realistic the future looks in sci-fi productions. Set designers and art directors create a very plausible feel and look for the years to come with buildings, props, fashion, lighting and of course type, whether it's those huge numbers on the outside of the USS Enterprise in 'Star Trek' or the text on a tablet's screen in 'Moon' Dave Addey explores this rather niche corner of sci-fi in his surprisingly interesting book.The all-time fave futures type is Eurostyle Bold Extended designed in 1962 by Aldo Novarese for the Italian Nebiolo type foundry and even though it's over fifty years old it still looks the part and can still be used to project a future feel. This was the typeface that Addey kept coming across in movies and inspired him to find out more and eventually write this book. Seven films are looked at in detail: 2001; Alien; Star Trek: The motion picture; Blade Runner; Total Recall; Wall-E; Moon. The typefaces in all of these are explored with plenty of stills and text revealing how they are used right down to the smallest bit of copy, for example, page thirty-six has a still from 2001 showing Doctor Floyd reading the long instructions on how to use a zero-gravity toilet and it's printed out on the opposite page so you can read them. The long running Star Trek used several faces that were issued as a font pack in 1992 (still available online, too). Total Recall, on page 170, has a logo for Mars Today based on the USA Today newspaper.As well as the movies there are heavily illustrated Q and A interviews with two typographers Stephen Coles and Antonio Cavedoni, director Paul Verhoeven, animators Ralph Eggleston and Craig Foster and designer Mike Okuda. The last few pages have fascinating visual summary of how hard it is to create a credible future look that's also good entertainment.Dave Addey writes in a pleasant, breezy style that makes the title a fun read and the rather flamboyant layout of the pages adds to the book's appeal. It will interest graphic designers and especially sci-fi movie fans.
It is advertised for Science Fiction flicks, but really there is much more to the various examples of typography -- futurism at its most beautiful and interesting.Beautifully printed and bound -- a coffee table book that is sure to attract many viewers and inspire interesting conversations -- it certainly has at my house.Robert C. RossJanuary 2019
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